247: RICHARD SCHULTZ, Leisure Collection lounge chairs, set of three < American Design, 18 February 2021 < Auctions

“Why Can't We Make a
Chair that Works?”

Regarded as the first modernist outdoor furniture, Schultz created The Leisure Collection at the direct request of Florence Knoll. After marrying and moving to Florida in 1958, she struggled to find outdoor furniture that held up to the humidity and salty air. Schultz recounts that he “started getting envelopes from her with rusty [Bertoia] bolts or corroded parts and a note saying ‘Why can’t we make a chair that works?’” The collection launched in March 1966 after four years spent producing both an innovative weather-resistant and truly modern form.

Image reproduced from *Knoll: A Modernist Universe* by Lutz (2010)

An Architect at Home

Works from the Collection of Donald Wrobleski

The exterior of Wrobleski's home. Photo by Juergen Nogai from *Julius Shulman: Chicago Midcentury Modernism* book by Gary Gand courtesy of Chicago Bauhaus & Beyond

Luckily for us all, Donald Wrobleski is happy to share his story. I first met the Chicago-based architect through a phone call while he was seeking advice on selling, and how to go about the overwhelming, stifling act of moving from the Bannockburn home which he designed and where he resided for the past sixty years. His home was like a number of architect-owned mid-century interiors I had visited, in that once a furnishing or work of art had had been carefully placed, it rarely moved. A living time capsule, but not one that is necessarily destined for obsolescence. Rather, a finely preserved moment in time.

The sunken living room flanked by floor to ceiling glass. Photo by Juergen Nogai from *Julius Shulman: Chicago Midcentury Modernism* book by Gary Gand courtesy of Chicago Bauhaus & Beyond

The furniture is utilitarian and comfortable and represents a superb period reflection of good design to live within the walls of good design.

Wrobleski designed his home in 1960 when he was just 20 years old. A former student of A. James Speyer at IIT, he created the residence to be elevated and in harmony with 1.75 acre lot located just outside of Chicago. Approaching the residence, you are greeted by a compliment of glass front to back within the fully see-through enclosure. Wrobleski’s home blossoms, trees appear to extend upward inside the house. The lines and the harmony of the interior naturally reflect the wooded surroundings. A short flight of stairs takes you to the entrance and once inside, you are naturally directed to the sunken living room nestled between the main glazing walls. There you are surrounded by an entirely global menu of design: Kjaerholm, Mies, Mackintosh, McCobb, Wegner and Aulenti for starters. The spread continues throughout the house. The furniture is utilitarian and comfortable and represents a superb period reflection of good design to live within the walls of good design.

The exterior of Wrobleski's home illustrating an outdoor seating area. The sunken living room flanked by floor to ceiling glass. Photo by Juergen Nogai from *Julius Shulman: Chicago Midcentury Modernism* book by Gary Gand courtesy of Chicago Bauhaus & Beyond

Wrobleski’s deft ability to capture sunlight and warmth in his home is illustrated thoughtfully by Julius Shulman’s photography in Julius Shulman: Chicago Mid-Century Modernism by Gary Gand (2010). While I wish there was enough Wrobleski output to fill an entire monograph, we are proud to offer these lots for Don in our American Design sale.

—Peter Jefferson