American Design 
18 February 2021
Paul Wieghardt, Quiet Colors - Image 1 of 3
Paul Wieghardt, Quiet Colors - Image 2 of 3
Paul Wieghardt, Quiet Colors - Image 3 of 3
American Design 
Paul Wieghardt, Quiet Colors - Image 1 of 3
Paul Wieghardt, Quiet Colors - Image 2 of 3
Paul Wieghardt, Quiet Colors - Image 3 of 3
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Paul Wieghardt 1897–1969

Quiet Colors

c. 1955
graphite and oil on canvas 45 h × 55 w in (114 × 140 cm)
estimate: $3,000–5,000
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Signed and titled to verso ‘Quiet Colors P. Wieghardt’.
provenance: Collection of Donald Wrobleski
exhibited: Contemporary American Painting and Sculpture, 27 February - 3 April 1955, University of Illinois, Urbana
literature: Julius Shulman: Chicago Mid-Century Modernism, Gand, pg. 187 illustrates this example in situ Contemporary American Painting and Sculpture, University of Illinois 1955 exhibition catalog, pg. 145

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As much as I appreciate reading other artist's ideas about art, I think that, when it comes to interpreting a painting, words might rather interfere and block the communication between the work and the spectator.

Paul Wieghardt

An Architect at Home

Works from the Collection of Donald Wrobleski

The exterior of Wrobleski's home. Photo by Juergen Nogai from Julius Shulman: Chicago Midcentury Modernism book by Gary Gand courtesy of Chicago Bauhaus & Beyond

Luckily for us all, Donald Wrobleski is happy to share his story. I first met the Chicago-based architect through a phone call while he was seeking advice on selling, and how to go about the overwhelming, stifling act of moving from the Bannockburn home which he designed and where he resided for the past sixty years. His home was like a number of architect-owned mid-century interiors I had visited, in that once a furnishing or work of art had had been carefully placed, it rarely moved.  A living time capsule, but not one that is necessarily destined for obsolescence. Rather, a finely preserved moment in time. 

The sunken living room flanked by floor to ceiling glass. Photo by Juergen Nogai from Julius Shulman: Chicago Midcentury Modernism book by Gary Gand courtesy of Chicago Bauhaus & Beyond
The furniture is utilitarian and comfortable and represents a superb period reflection of good design to live within the walls of good design.

Wrobleski designed his home in 1960 when he was just 20 years old. A former student of A. James Speyer at IIT, he created the residence to be elevated and in harmony with 1.75 acre lot located just outside of Chicago. Approaching the residence, you are greeted by a compliment of glass front to back within the fully see-through enclosure. Wrobleski’s home blossoms, trees appear to extend upward inside the house. The lines and the harmony of the interior naturally reflect the wooded surroundings. A short flight of stairs takes you to the entrance and once inside, you are naturally directed to the sunken living room nestled between the main glazing walls. There you are surrounded by an entirely global menu of design: Kjaerholm, Mies, Mackintosh, McCobb, Wegner and Aulenti for starters. The spread continues throughout the house. The furniture is utilitarian and comfortable and represents a superb period reflection of good design to live within the walls of good design. 

The exterior of Wrobleski's home illustrating an outdoor seating area. The sunken living room flanked by floor to ceiling glass. Photo by Juergen Nogai from Julius Shulman: Chicago Midcentury Modernism book by Gary Gand courtesy of Chicago Bauhaus & Beyond

Wrobleski’s deft ability to capture sunlight and warmth in his home is illustrated thoughtfully by Julius Shulman’s photography in Julius Shulman: Chicago Mid-Century Modernism by Gary Gand (2010). While I wish there was enough Wrobleski output to fill an entire monograph, we are proud to offer these lots for Don in our American Design sale.

—Peter Jefferson

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