20th Century Art 
1 October 2020
20th Century Art 
110

Henri Matisse 1869–1954

Odalisque au collier (Nude with Necklace)

1923
lithograph 9 h × 12½ w in (23 × 32 cm)
estimate: $7,000–9,000
result: $6,250
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Sheet measures: 14 h x 18.5 w inches.
Signed and numbered to lower edge 'Epr. d'artiste 10/10 Henri Matisse'. This work is number 10 of 10 artist's proofs apart from the edition of 50.
provenance: William Weston Gallery, London | Acquired from the previous in 1985, Collection of David and Vivian Campbell, Toronto | Thence by descent, Jeffrey Campbell
literature: Duthuit 434 Fribourg 390 Planche 44
An example of this work is held in the collection of the San Francisco Museum of Modern Art.

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David & Vivian Campbell

20th Century Collectors and Philanthropists

David and Vivian Campbell were prominent philanthropists of the arts in Canada and collectors of early modern masters. Over the course of half a century, David and Vivian built a collection around intimate and dazzling works by giants of early 20th century art—Picasso, Matisse, Gris, Gauguin, Munch and Rodin among them—as well as later 20th century artists such as Will Barnet, Saul Steinberg and David Hockney, who grew out of the traditions of earlier masters, with a reverence for landscape and portraiture.

The scope of the century, along with the Campbells' distinct tastes within its vastness, are presented in the selection offered here; a landscape study of Le Pont Neuf by Paul Signac from 1895, the earliest work in the sale, shares the same musicality of color as Andy Warhol's screenprint of Beethoven from nearly one hundred years later. Portraits by Matisse and Hockney, done forty years apart, both present subjects that are quirky and grounded, executed with an economy and confidence of line. Irving Penn photographs Igor Stravinsky with the same adulatory nod seen in a portrait by André Kertész of his predecessor, Brassaï. An exuberant collage by Picasso celebrates the birth of his son, while Old Man's Afternoon by Will Barnet meditates on loss and aging. A thread evident throughout the selection is the ability for the art that we love to reflect the life that we live.

David and Vivian Campbell in their home in Toronto, 1997,
with Picasso's Jacqueline tricottant. Image: Jeff Goode.
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