gold-plated bronze 7 h × 7¼ w × 5¾ d in (18 × 18 × 15 cm)
The concept of multiples was central to Miguel Berrocal’s artistic practice. Just as painters used printing techniques to reproduce graphic works, Berrocal sought to make his three-dimensional sculptures accessible to a broader audience using advanced casting technology. As a result, many of the artist’s works were planned to be produced in large editions, however, given the complexity of the forms, full editions were often not completed.
Impressed signature and number to housing ‘Berrocal 59/500’. This work is number 59 from the edition of 500 of which 150 were to be made in gold-plated bronze. Ultimately only 37 examples were ever realized. This is one of Berrocal’s most complex works—it took the artist six years to complete. The pieces of Il Cofanetto make up a complete service for two with four additional serving utensils, four goblets, four candlesticks, four ashtrays and one centerpiece. Berrocal's sculpture Romeo e Giulietta can be inserted atop this coffin, an homage to the young lovers. Sold with original book containing instructions for assembly.
literature: Antologica Berrocal (1955-1984), Gallego, Opus 123, ppg. 17, 220, 240, 247, 449 Scientific American, January 1978, pg. 24
