Wright’s influence on Abrom Dombar is evident in his designs for the Dahlman house.
In the 1930s, brothers Abrom and Benjamin Dombar studied under Frank Lloyd Wright at the Taliesin Fellowship in Scottsdale, Arizona. Drawing inspiration from Wright’s concept of Organic Architecture, the brothers returned to Cincinnati and designed hundreds homes both together and independently. Wright’s influence on Abrom Dombar is evident in his designs for the Dahlman house which boasted sweeping planes and large spans of windows. At the time of its completion in 1952, Mr. and Mrs. Dahlman purchased various pieces to furnish their home, including works by George Nelson & Associates, Charles and Ray Eames and Hendrick Van Keppel and Taylor Green. The kitchen and bathroom were featured in period advertisements for Formica - one advertisement illustrating the home’s blush-colored kitchen also shows the Dahlman’s original dining set, offered here.
This selection of period furnishings has remained together in the home since they were purchased in the early 1950s.
Born in Hartford, Connecticut in 1908, George Nelson studied architecture at Yale University, teaching for a short time before the Great Depression. In 1932, he won the Rome Prize and spent the next two years studying design in Italy. Returning to the states, Nelson sold his essays to Pencil Points and became an associate editor at Architecture Forum and Fortune magazine. After reading Nelson’s innovative book Tomorrow's House, then president of Herman Miller furniture company D.J. De Pree hired Nelson as design director. Nelson launched his first collection in 1947 and transformed the struggling company into a groundbreaking leader in the field. Nelson remained at Herman Miller until the mid-1960s, and was responsible for bringing Charles and Ray Eames, Alexander Girard and Isamu Noguchi on board.
In 1947, Nelson opened his own design studio, George Nelson Associates, Inc. which at one time employed over seventy people. The company’s work within corporate settings revolutionized the concept of branding and elevated industrial design to new heights. Throughout his career, Nelson continued to write critically about design across multiple planes, teaching and consulting until his death in 1986.
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