Important Design 
11 December 2014
Important Design 
383

Fulvio Bianconi

Pezzato vase

Venini
Italy, c. 1950
polichrome patchwork glass 14½ h × 5¼ w × 3¼ d in (37 × 13 × 8 cm)
estimate: $9,000–12,000
result: $13,970
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provenance: The Montifiore Collection
literature: Le Verre Venini, Deboni, pl. 112 I Vetri di Fulvio Bianconi, Bossaglia, fig. 53 Venini Glass: Catalogue 1921-2007, Deboni, figs. 185-187 illustrate examples from series Venini Glass: Its History, Artists and Techniques, Deboni, unpaginated

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The Montifiore Collection

Assembled in the early and mid 1990’s, the collection of Stephen Montifiore and Victoria DiNardo is an excellent example of a small, well-curated collection of post-war Murano glass. Acquiring pieces from Mark McDonald (of 50/Fifty and Gansevoort Gallery) and from important sales at major auction houses, the collectors focused on high quality Italian glass with strong forms and vibrant colors. While this collection contains rare pieces by Venini, Barovier, Archimede Seguso and others its real strength lies in the beauty and quality of each piece as well as the aesthetic appeal of the collection as a whole.

Fulvio Bianconi 1915–1996

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Born in Padua in 1915, Fulvio Bianconi initially rose to prominence as an illustrator, graphic designer and caricaturist working for Italy’s top companies during the 1930s. Designing for big names like Fiat, Pathé and Pirelli, Bianconi employed his passion for drawing as the creative mind behind one of Italy’s most prestigious publishing houses, Garzanti for over 30 years. However, it is perhaps his post-war collaboration with Paolo Venini and experimentation with glass which best defines his legacy as an artist.

On a business trip to Murano in 1947, Bianconi met with Paolo Venini who immediately recognized his talent and offered him a position as artistic director, a post which had recently been vacated by the celebrated architect Carlo Scarpa. Engaged on a free-lance basis, Bianconi’s arrangement with Venini was somewhat unusual but seemed to suit his idiosyncratic personality and artistic inclinations.

From the very beginning, Bianconi’s approach at Venini was entirely that of a fine artist, drawing inspiration from modern art, fashion and graphic design. As a cartoonist and caricaturist he was also able to re-envision cultural themes from Italy’s past and express them in a fresh, contemporary way. All of this was in fact encouraged by Venini, who seemed to have an innate understanding of Bianconi’s frenetic style and unique abilities.

From 1947 to 1950, Bianconi designed numerous series of sculptural objects and vessels including the Commedia dell’Art figures, Fazoletto (handkerchief) vases, Pezzati (patchwork) and con Macchie (stained) vessels, all of which have all now become icons of post-war Italian design. Sometimes surreal, often abstract, these series captured the spirit of the times and expressed the essence of La Dolce Vita and the exuberance of post-war Italy. While Murano had been demonstrating an awareness of modern art since the early part of the century, it is only with Bianconi that it found itself on equal footing.

Bianconi designed unique, modern art objects on a human-scale and for this, Murano glass was the perfect vehicle. From this point of view, one could say that Bianconi was instrumental in the liberation of Murano glass from its own cultural and historical definitions.

Auction Results Fulvio Bianconi

Fulvio Bianconi

Rare Scozzese vase, model 4592

estimate: $150,000–200,000

result: $262,500

Fulvio Bianconi

Con Macchie vase

estimate: $20,000–30,000

result: $197,000

Fulvio Bianconi

rare and important Sirena vase

estimate: $40,000–60,000

result: $155,000

Fulvio Bianconi

Important Con Macchie vase, model 4324

estimate: $90,000–120,000

result: $149,000

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