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Artist: Robert Loughlin
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  • About
  • Items (144)
  • Auctions (29)

Robert Loughlin
1949—2011

We champion the work of cult artist Robert Loughlin, a storied individual who created a singular body of work that is capturing a continually growing audience.

I was always on the fringe of everything I did.

Robert Loughlin

Over the course of his lifetime, cult artist Robert Loughlin created a rich body of work. Self-trained, Loughlin moved to New York in the 1980s and became immersed in the art, design and gay subculture. His art exhibits the divergent influences of Dada, graffiti and Pop.

Most famously, Loughlin obsessively painted a repeated image of iconic masculinity: a square-jawed man with dangling cigarette. Rendered over decades on an incredible array of objects, existing art works and surfaces, the face expresses a range of expressions from cool detachment to brooding menace.

Shunning established galleries, Loughlin sold his work exclusively to acquaintances and friends, largely from the 26th Street flea market that he frequented for decades until his untimely death in 2011.

Wright hosted the first-ever auction dedicated to the work of Robert Loughlin. The special sale featured more than 60 lots from the collection of Paul Johnson
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Auction Results Robert Loughlin

Robert Loughlin, Moose-Awiny Modern

Robert Loughlin

Moose-Awiny Modern

estimate: $2,500–3,500

result: $8,750

Robert Loughlin, Untitled (box)

Robert Loughlin

Untitled (box)

estimate: $1,000–1,500

result: $8,125

Robert Loughlin, Remember the Kinks

Robert Loughlin

Remember the Kinks

estimate: $5,000–7,000

result: $7,560

Robert Loughlin, Untitled (LPs fifteen works)

Robert Loughlin

Untitled (LPs fifteen works)

estimate: $6,000–8,000

result: $5,000

What constant elements make up a Loughlin painting?

A sense of a cosmic joke. Not taking anyone or anything too seriously.

An Interview with Robert Loughlin

In 2011, Robert Loughlin was interviewed by Gary Carlson, longtime friend, partner and champion of his work.

GARY: Let’s start at the beginning. When were you born?
ROBERT: I was born in 1949 on a Naval base in Alameda, California.

GARY: Tell us a little bit about your childhood.
ROBERT: My mother and father were mostly absent. I was forced to be both a provider and mother for my brothers and sisters. I left school at sixth grade, stayed home a lot and listened to FM radio. I learned to be resourceful and be a survivor.

GARY: When did you become interested in painting?
ROBERT: I became interested in being an artist later on in life. It was in Miami Beach in 1980. I was interested in the Cubans I would see. At about the same time, the New York City social and arts scene was exploding. Taking up painting in Miami Beach was my attempt to have a connection to New York since in those days there were no people in the arts in Miami Beach. It was like a ghost town.

GARY: Have you had any formal training as an artist?
ROBERT: No, I have not had any training. I didn’t go to high school. Everything I’ve learned, I’ve learned from doing it.

GARY: You’re well known for being a picker for New York City’s high society. How did you become a picker?
ROBERT: I became a picker out of necessity. As I started doing it, I realized I had a good eye and that I could make a living doing it. I’ve always bought what I liked and focused on great design and excellent quality.

GARY: What are some of your best finds?
ROBERT: I found a Salvador Dali painting, an Andy Warhol self-portrait and electric chair paintings, as well as a 1917 Russian supremacist teapot that is now in the collection of the Museum of Modern Art.

GARY: Who were some of your clients?
ROBERT: Jean-Michel Basquiat, Robert Mapplethorpe and Andy Warhol were clients. Andy referred to me as the “Chairman” since I was always bringing him interesting chairs. I was one of the few individuals whom Andy allowed in his factory after he was shot.

GARY: Since you knew Andy Warhol better than most, what did you enjoy about working with Warhol?
ROBERT: Warhol appreciated everything.

GARY: How did you make the transition from being a high-society picker to being an acclaimed artist?
ROBERT: Everything happened very fast. As I was picking, I was also experimenting with my artwork. A lot of what I was doing was inter-related and since I had a strong interest in 20th Century and Industrial Design I used that as inspiration and as a complement for my work. As I became more comfortable, I started selling it alongside my other finds I was selling at local markets.

GARY: You are considered an expert in 20th Century and Industrial Design, how did you acquire this knowledge?
ROBERT: By trial and error and learning by doing.

GARY: What was it like “being on the art scene” in the eighties?
ROBERT: Everything happened so fast. I was always on the fringe of everything I did.

GARY: What artists defined the era of the eighties? How were you associated with these artists?
ROBERT: Keith Haring, Jean-Michel Basquiat, and Robert Mapplethorpe. I became aware of these artists through hanging out at the same gay bar. Many became clients and friends.

GARY: Who are some of your favorite artists?
ROBERT: Marcel Duchamp, Joseph Beuys, and Andy Warhol.

GARY: What inspires your ideas?
ROBERT: Great design and men.

GARY: What constant elements make up a Loughlin painting?
ROBERT: A sense of a cosmic joke. Not taking anyone or anything too seriously. The “brute” has a special quality of the face and as an abstraction.

GARY: The “brute” man is a reoccurring figure in your paintings. What influenced your creation of him?
ROBERT: A pre-1960s ideal of a man.

GARY: What is the reason most of your paintings include the “brute”?
ROBERT: That is where my hand takes me.

GARY: Your paintings are often completed on found objects. What is the reason for this?
ROBERT: Something to paint on.

GARY: Why did you become an artist?
ROBERT: To make money to survive and to have fun.

GARY: What is the purpose of your work?
ROBERT: To expand consciousness.

GARY: There has been a significant amount of interest in your work recently. What is the reason for this?
ROBERT: Those people are crazy.

Robert Loughlin 1949–2011

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Robert Loughlin was a beloved artist and character in the world of design. Born in Alameda, California in 1949, his interest in design flourished at a young age. By the late 1970s, he had opened two stores in San Francisco, being one of the first "pickers" to specialize and create a resale market for mid-century design. In 1980, he relocated to Miami Beach, Florida where he established a third store and also began painting.

After several years, he moved to New York City and opened the Executive Gallery and became immersed in the downtown art scene. He became known for his boisterous, hard-living as much as his design skills; he sourced art and furniture for clients such as Andy Warhol, Jean-Michel Basquiat and Robert Mapplethorpe. One of his most impressive finds was a Salvador Dali painting at a thrift shop that he bought for $40. During this time, his iconic imagery of "The Brute," a smoking square-jawed male figure, began appearing all over the city — on found objects including doors, tables, antiques, trash, bottles, skateboards, other works of art, and public spaces alike. "The Brute," an idealized male face, often depicted smoking, recalls the classic, masculine faces of James Dean and Marlon Brando, and is modeled after Loughlin's partner of thirty-one years, Gary Carlson. Loughlin explored the far reaches of this singular imagery, which has since become an icon of gay and outsider culture.

His artworks are collected by institutions such as The Carnegie Museum of Art and among personal collections including the artist Donald Baechler. Tragically, Robert Loughlin was struck by a car near his home in New Jersey in 2011.

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